Jump to content

Mary Shelley's Frankenstein (film)

From Wikipedia, the free encyclopedia

Mary Shelley's Frankenstein
A spotlight shines on a cloaked corpse being lifted above the ground on a pulley mechanism.
Theatrical release poster
Directed byKenneth Branagh
Screenplay by
Based onFrankenstein
1818 novel
by Mary Shelley
Produced by
Starring
CinematographyRoger Pratt
Edited byAndrew Marcus
Music byPatrick Doyle
Production
companies
Distributed byTriStar Pictures (through Sony Pictures Releasing)
Release dates
Running time
123 minutes[2]
Countries
LanguageEnglish
Budget$45 million[4]
Box office$112 million[4]

Mary Shelley's Frankenstein is a 1994 science fiction horror film directed by Kenneth Branagh who also stars as Victor Frankenstein, with Robert De Niro portraying Frankenstein's monster (called The Creation in the film), and co-stars Tom Hulce, Helena Bonham Carter, Ian Holm, John Cleese, Richard Briers and Aidan Quinn. Considered the most faithful film adaptation, in some respects, of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus,[6] despite several differences and additions, the film follows a medical student named Victor Frankenstein who creates new life in the form of a monster composed of various corpses' body parts.[7]

Mary Shelley's Frankenstein premiered at the London Film Festival, and was released theatrically on November 4, 1994, by TriStar Pictures. The film received mixed reviews from critics and grossed $112 million worldwide on a budget of $45 million, making it less successful than the previous Francis Ford Coppola-produced horror adaptation, Bram Stoker's Dracula (1992).

Plot

[edit]

In 1794, Captain Walton leads an expedition to the North Pole. While their ship is trapped in ice, a frightening noise is heard and a figure is seen. Victor Frankenstein tells the crew to follow him with their weapons. The dogs run toward the noise but are killed by its source. Walton is determined to continue the expedition; Victor asks, "Do you share my madness?" He tells his life story, presented in flashback.

Victor grows up with his adopted sister, Elizabeth Lavenza. Victor's mother dies giving birth to his brother William, and Victor vows on her grave that he will find a way to conquer death. Victor and his friend Henry Clerval study medicine at the University of Ingolstadt under professor Shmael Augustus Waldman, whose notes contain information on creating life. Waldman warns Victor not to use them lest he create an abomination.

Waldman is murdered by a patient who is then hanged. Using the killer's body and Waldman's brain, Victor builds a creature based on the Waldman's notes. He is so obsessed with his work that he drives Elizabeth away when she comes to take him away from Ingolstadt, which is being quarantined amid a cholera epidemic. Victor gives his creation life, but is horrified by the creature's hideous appearance and tries to kill him. The creature steals Victor's coat and flees, and is driven away by the townspeople when he tries to steal food.

The creature shelters for months in a family's barn without their knowledge, learning to read and speak by watching them. He attempts to earn their trust by anonymously bringing them food, and eventually converses with the elderly, blind patriarch after murdering an abusive debt collector. When the man's family returns, they are terrified and chase the creature away. The creature finds Victor's journal and learns the circumstances of his creation. Upon returning to the farmhouse, he discovers the family has abandoned it. He burns down the farm and vows revenge on Victor for bringing him into a world that hates him.

Returning to Geneva to marry Elizabeth, Victor finds his younger brother William has been murdered. The Frankensteins' servant Justine is blamed and hanged, but Victor knows the creature is responsible. The creature abducts Victor and demands he make him a female companion, promising to leave Victor in peace in return. Victor gathers his tools, but when the creature insists that he use Justine's body, Victor breaks his promise. The creature exacts his revenge on Victor's wedding night by breaking into Elizabeth's bridal suite and ripping out her heart.

Victor races home to bring Elizabeth back to life. He stitches Elizabeth's head and hands onto Justine's body and reanimates her as a disfigured, mindless shadow of her former self. The creature demands Elizabeth as his bride. Victor and the creature fight, but Elizabeth, realizing of what has been done to her, commits suicide by setting herself on fire. Victor and the creature escape as the mansion burns down.

Back in the Arctic, Victor tells Walton he has been pursuing his creation for months to kill him. Victor dies of pneumonia, and Walton discovers the creature weeping over Victor's body, having lost the only family he has ever known. The crew prepares a funeral pyre, but the ceremony is interrupted when the ice around the ship cracks. Walton invites the creature onto the ship, but the creature chooses to remain with the pyre. He takes the torch and burns himself alive with Victor's body. Walton orders the ship to return home.

Cast

[edit]

Production

[edit]

Steph Lady wrote the original script to the film that was sold to Francis Ford Coppola's American Zoetrope. Coppola originally intended to direct the film (having already directed Bram Stoker's Dracula (1992) but instead elected to just serve as executive producer. Coppola wanted Robert De Niro cast as the Creature above all else, which resulted in his casting over considerations of casting Gérard Depardieu and Andy García for the title role.[8][9][10] He chose Branagh to direct the film; Branagh brought in Frank Darabont to do a second draft of the screenplay, insisting on including elements from the novel that had not been present in the script, complete with having as many "explicitly sexual birth images" to go along with elements inspired from Mary Shelley's life in terms of her being "surrounded by images of death". As opposed to the novel, the film includes a re-created bride due to Branagh believing that it seemed to "make psychological sense" while reflecting on his difference from James Whale in his staging for both of his Frankenstein films that he stated as having "high camp".

Branagh stated in an interview that the film was "a family tragedy, like Shakespeare. There are lots of echoes of 'Hamlet' in it, I think. Victor Frankenstein is the opposite side of the same coin as Hamlet. Instead of forming a philosophy of death and our journey toward it, he resists it. He says, 'Let's stop them dying and see if we can do it better.' He replaces Hamlet's intellectual pursuit with physical action. And still isn't happy."[11][12] De Niro studied stroke victims in preparation for the voice of the Creature.[13]

Release

[edit]

The film had its world premiere on November 3, 1994, at the London Film Festival before opening in the United Kingdom and United States on November 4.[1]

Reception

[edit]

Frank Darabont

[edit]

Original screenwriter Steph Lady, who sold the script to Francis Ford Coppola's American Zoetrope, said "the film was a shocking disappointment; a misshapen monster born of Kenneth Branagh's runaway ego. He took a poignant, thought-provoking tragedy and turned it into a heavy metal monster movie. The casting of Robert De Niro as the monster was beyond inexplicable." Frank Darabont, who did a second draft, later called the film "the best script I ever wrote and the worst movie I've ever seen". He elaborated:

There's a weird doppelgänger effect when I watch the movie. It's kind of like the movie I wrote, but not at all like the movie I wrote. It has no patience for subtlety. It has no patience for quiet moments. It has no patience period. It's big and loud and blunt and rephrased by the director at every possible turn. Cumulatively, the effect was a totally different movie. I don't know why Branagh needed to make this big, loud film ... the material was subtle. Shelley's book was way out there in a lot of ways, but it's also very subtle. I don't know why it had to be this operatic attempt at filmmaking. Shelley's book is not operatic, it whispers at you a lot. The movie was a bad one. That was my Waterloo. That's where I really got my ass kicked most as a screenwriter ... [Branagh] really took the brunt of the blame for that film, which was appropriate. That movie was his vision entirely. If you love that movie you can throw all your roses at Ken Branagh's feet. If you hated it, throw your spears there too, because that was his movie.[14]

Critical response

[edit]

On the review aggregator website Rotten Tomatoes, 42% of 53 critics' reviews are positive, with an average rating of 5.5/10. The website's consensus reads: "Mary Shelley's Frankenstein is ambitious and visually striking, but the overwrought tone and lack of scares make for a tonally inconsistent experience"[15]

Roger Ebert gave the film two and a half stars out of four, writing: "I admired the scenes with De Niro [as the Creature] so much I'm tempted to give Mary Shelley's Frankenstein a favorable verdict. But it's a near miss. The Creature is on target, but the rest of the film is so frantic, so manic, it doesn't pause to be sure its effects are registered".[16]

Janet Maslin wrote: "Branagh is in over his head. He displays neither the technical finesse to handle a big, visually ambitious film nor the insight to develop a stirring new version of this story. Instead, this is a bland, no-fault Frankenstein for the '90s, short on villainy but loaded with the tragically misunderstood. Even the Creature (Robert De Niro), an aesthetically challenged loner with a father who rejected him, would make a dandy guest on any daytime television talk show".[17]

Conversely, James Berardinelli of Reelviews.net gave the film three out of four stars: "Mary Shelley's Frankenstein may not be the definitive version of the 1818 novel, and the director likely attempted more than is practical for a two-hour film, but overambition is preferable to the alternative, especially if it results—as in this case—in something more substantial than Hollywood's typical, fitfully entertaining fluff".[18]

Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale.[19]

Box office

[edit]

Mary Shelley's Frankenstein collected $11,212,889 during its opening weekend, ranking in second place at the box office below Stargate.[20] In the U.S. and Canada, the film grossed $22,006,296, with the opening weekend making up more than half of its total. The film opened the same day in the United Kingdom and Ireland and was the number one film with a gross of $2 million (£1.3 million) in its opening weekend from 320 screens.[21][22] It remained at number one in the UK for a second week.[23] Outside the U.S. and Canada, it grossed $90 million, bringing the worldwide gross to $112 million.[24][25]

Year-end lists

[edit]

Accolades

[edit]
Award Category Recipients Result
Academy Awards Best Makeup Daniel Parker, Paul Engelen, Carol Hemming Nominated
British Academy Film Awards Best Production Design Tim Harvey Nominated
Saturn Awards Best Horror/Thriller Film Nominated
Best Actor Kenneth Branagh Nominated
Best Actress Helena Bonham Carter Nominated
Best Make-up Daniel Parker, Paul Engelen Nominated
Best Music Patrick Doyle Nominated
Best Supporting Actor Robert De Niro Nominated
Best Writing Steph Lady, Frank Darabont Nominated

Video game

[edit]
Main articles: Mary Shelley's Frankenstein (video game) and Mary Shelley's Frankenstein (pinball)

A video game adaptation based on the film was released on numerous home video game consoles in 1994. A themed pinball machine was released in early 1995 by Sega Pinball; it is one of the machines included in the video pinball simulator The Pinball Arcade.

See also

[edit]

References

[edit]
  1. ^ a b Elley, Derek (October 3, 1994). "London focuses slate on more populist fare". Variety. p. 20.
  2. ^ "MARY SHELLEY'S FRANKENSTEIN (15)". Columbia TriStar Films. British Board of Film Classification. October 14, 1994. Retrieved August 21, 2013.
  3. ^ "May Shelley's Frankenstein (1994)". AFI Catalog. American Film Institute. Retrieved May 10, 2020.
  4. ^ a b c "Mary Shelley's Frankenstein (1994)". BFI. British Film Institute. Archived from the original on May 5, 2016. Retrieved May 10, 2020.
  5. ^ "Frankenstein (1994)". The Numbers. Retrieved May 10, 2020.
  6. ^ "There are over 60 'Frankenstein' film adaptations — these 8 are the best". Deseret News. November 8, 2023. Retrieved November 6, 2024.
  7. ^ Mathews, Jack (October 31, 1994). "Sleep Tight, a Monstrous Season Approaches: Movies: Those perennial masters of the dark, Frankenstein's monster and Count Dracula, return in a pair of new films. As always, they keep changing with the times". The Los Angeles Times. Retrieved November 22, 2010.
  8. ^ "De Niro plays dreaded Frankenstein". South China Morning Post. July 28, 1993. Retrieved November 6, 2024.
  9. ^ "DRACULA REVIVAL CREATES A THIRST FOR FRANKENSTEIN". Deseret News. April 18, 1993. Retrieved November 6, 2024.
  10. ^ "Article". www.branaghcompendium.com. Retrieved November 6, 2024.
  11. ^ "AT LUNCH WITH: Kenneth Branagh; How 'Frankenstein' Has Created a Hunk". Retrieved November 6, 2024.
  12. ^ "Kenneth Branagh". Interview Magazine. February 6, 2012. Retrieved November 6, 2024.
  13. ^ "Branagh's Mad Science". www.branaghcompendium.com. Retrieved November 6, 2024.
  14. ^ Bauer, Erik (April 22, 2016). "Frank Darabont on The Shawshank Redemption". Creativescreenwriting.com. Retrieved August 27, 2016.
  15. ^ "Mary Shelley's Frankenstein (1994)". Rotten Tomatoes. Retrieved July 19, 2022.
  16. ^ Ebert, Roger (November 4, 1994). "Mary Shelley's Frankenstein movie review (1994)". Chicago Sun-Times. Retrieved October 10, 2020.
  17. ^ Maslin, Janet (November 4, 1994). "Movie Review - - FILM REVIEW: FRANKENSTEIN; A Brain on Ice, a Dead Toad and Voila!". New York Times. Retrieved August 27, 2016.
  18. ^ James Berardinelli. "Reelviews Movie Reviews". Reelviews.net. Retrieved August 27, 2016.
  19. ^ "CinemaScore". cinemascore.com.
  20. ^ "'Stargate' still No. 1 at box office". Ledger-Enquirer. November 9, 1994. p. 19. Archived from the original on March 31, 2023. Retrieved March 31, 2023 – via Newspapers.com. Open access icon
  21. ^ Groves, Don (November 14, 1994). "'Lion King' conquers French B.O.". Variety. p. 14.
  22. ^ "UK Top 15: Nov 4-6". Screen International. November 11, 1994. p. 22.
  23. ^ "UK Top 15: Nov 11-13". Screen International. November 18, 1994. p. 26.
  24. ^ "Mary Shelley's Frankenstein (1994)". Box Office Mojo. IMDB. December 2, 1994. Retrieved August 27, 2016.
  25. ^ Natale, Richard (November 7, 1994). "Stargate Keeps Surprising Lead Over the Pack Movies: The sci-fi thriller holds onto the top box-office spot despite stiff competition from heavily hyped star vehicles 'The War' and 'Mary Shelley's Frankenstein'". The Los Angeles Times. Retrieved October 22, 2020.
  26. ^ Travers, Peter (December 29, 1994). "The Best and Worst Movies of 1994". Rolling Stone. Retrieved July 20, 2020.
  27. ^ Maslin, Janet (December 27, 1994). "CRITIC'S NOTEBOOK; The Good, Bad and In-Between In a Year of Surprises on Film". The New York Times. Retrieved July 19, 2020.
[edit]
Wikiquote has quotations related to Mary Shelley's Frankenstein (film).
Retrieved from "https://en.wikipedia.org/w/index.php?title=Mary_Shelley%27s_Frankenstein_(film)&oldid=1273528341"